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-->   Yu Yang Last modified date：2024.05.20 Lecturer / Department of Philosophy Faculty of Humanities 1 Research Interests 2 Academic Activities 2.1 Papers 2.2 Reports 2.3 Presentations 3 Membership in Academic Society 4 Educational Activities E-Mail　*Since the e-mail address is not displayed in Internet Explorer, please use another web browser:Google Chrome, safari. Homepage https://kyushu-u.elsevierpure.com/en/persons/yu-yang　Reseacher Profiling Tool　Kyushu University Pure https://www.imapkyudai.net/yu-yangFaculty Page on IMAP, Kyushu University . Academic Degree Ph.D. in Art History, M.PhL in Art History, M.A in Art History Country of degree conferring institution (Overseas) Yes　Doctor Field of Specialization Modern Japanese Art and Architectural History Total Priod of education and research career in the foreign country 05years00months Outline Activities Yang's research focuses on Urban Space and Architecture in East Asia during the twentieth century, in particular, the interaction between colonialism and regionalism in Japan and Colonial Manchuria. She is currently writing a manuscript on the urban space and architecture in colonial Manchuria, focusing on the spatial configuration of the interrelationship among various social groups. Yang has taught in the United States, Japan, and China. At Kyushu University, she teaches a variety of topics in Japanese Art History, Japanese Architectural History, and Modern Japanese History.Yang has planed international symposiums to connect young researchers with senior scholars and to create an international network with Kyudai in the center. Research Research Interests Urban Space and Colonial Architecture in Asia,Residential and Commercial Spaces of the Chinese, Japanese, and Russians in Manchuria during the early twentieth century,East Asian Studies from the Perspective of Global History,Modern Japanese Architecture and Visual Culturekeyword : Architecture and Urban Space in Manchuria, Modern Japanese Architecture and Visual Culture, East Asian Studies, Global History Theory, Japanese Art2014.01. Academic Activities Reports  Show All Reports >> 1. Yu Yang, Book Review: Alice Y. Tseng. Modern Kyoto: Building for Ceremony and Commemoration, 1868–1940. University of Hawai‘i Press, 2018, Journal of Asian Humanities at Kyushu University, 2020.03. Papers  Show All Papers >> 1. YANG Yu, Shadows of Urban Utopia: Japanese Housing in Colonial Manchuria, Proceedings of the 35th World Congress of Art History – Motion: Transformation, 317-322, 2021.09. 2. YANG YU, Constructing a Manchurian Identity: Architect Endō Arata and Central Bank Club, Modern Art Asia, 73-93, 2012.05. 3. YANG YU, Kamisaka Sekka’s Later Works and Kyoto Kōgei, Journal of Social Aesthetics, 2, 1-10, 2014.11. 4. YANG YU, Touring Buildings of Colonial Modernity: Architecture and Tourism in Manchuria (1905-1945), EAAC 2015 Gwangju Practical History: History in Practice and Practice in History during the 21st Century, 895-898, 2015.10, This paper examines the Japanese cultural construction of the image of Manchuria through the interaction of tourism and modern architecture in the early twentieth century. The examination of postcards, photos, and travel-logs related to Japanese tours to Manchuria reveals that the Japanese tourists' perception of Manchuria has changed from an adventurous, remote land to a safe, idealist and entertaining theme park. Architecture played a significant role in the construction of Japanese tourists' experiences of Manchuria. Buildings in various modern styles construted by the Japanese architects in the new capital, shinkyo, not only served as symbols of Japanese authority, but also contained a picturesque quality to be looked at from tourist buses. The visual abundance of photos and postcards of these buildings therefore reinforced the image of Manchuria for mass consumption as modern and exotic, and the actual spatial experiences were intentionally minimalized, if not ignored. By situating the bus tours in Shinkyo within the historical context of colonial tourism and discourse of modern Japanese architecture, this paper characterizes the unique urban spatial experience of the colonial modernity.. Presentations  Show All Presentations >> 1. YANG YU, Reflection on Utopian Manchuria and New Perspectives, Brown Bag Seminar, 2024.04. 2. YANG YU, Touring Old Lands with New Sights: Representations of Early Japanese Imperial Expansions, AAS-in-Asia 2023, 2023.06. 3. YANG YU, The Land of Aida: Urban Space of Manchuria (1905-1945), Hybrid Workshop between Kyudai and Glasgow University: Space Between/Aidagara: Landscape, Mindscape, Architecture, 2023.03. 4. YANG YU, Embracing Climate and Culture: Depicting Others at Japanese Art Exhibitions 1908-1944, 2022 35th Committee International d’Historie de L’Art- Migration, São Paulo, 2022.01. 5. Yu YANG, Shadows of Bright Houses: Photographs of Architecture in Colonial Manchuria　（1900-1945）, The 35th Committee International d’Historie de l’Art, 2019.09, During the first half of the twentieth century, Japan’s colonial expansion in East Asiabrought many Japanese architects to Manchuria, present-day northeast China. They havebuilt all over Manchuria—government offices, commercial buildings, and residentialhouses—and left a tremendous collection of visual records. The paper examinesthese photographs from a different perspective, not merely considering them asvisual propagandas, but to focus on their visual power and function within theexchange of people, objects, and ideas between Japan and Manchuria, and therelationship between visual representation and space.This presentation explores the role of visual representation in defining and shaping theresidential area in urban Manchuria during the first half of the twentieth century. Takingphotographs, drawings, and plans of residential houses displayed at the 1921 architecturalexhibition in Dalian as a case study, I examine Japanese architects’ designs for privatehome and houses, published in architectural journals and displayed in architecturalexhibitions throughout the 1920s. Photos of houses in Manchuria published in the 1920swere used to construct the daily space for a rising upper-middle class different from earlyJapanese settlers, and to promote the housing reform in Japan.After the establishment of Manchukuo in 1932, photographs of buildings inManchuria were included in the tourist postcards, one of the most popularsouvenirs for Japanese group tours in Manchuria that reached the peak around1941. In particular, there were significant numbers of photographs of panoramicviews, public buildings, and construction sites: which functioned as visual allegoriesof Manchukuo’s utopia future. Residential houses or interior of them were no longerthe center. Tourist postcards include exteriors of residential houses as symbolic icons ofJapan’s colonial rule. They have turned the buildings into products for the consumptionof mass tourism.In conclusion, photographs, plans, and drawings or residential houses in Manchuriaduring the first half of the twentieth century underwent a changing function. In thebeginning, they contributed to the construction and consolidation of the daily spacefor the newly arriving upper-middle Japanese in the region. Later, they wereincluded as part of the tourist experience by compressing three-dimensional spaceinto flat surface and reducing the role of architecture into icons and symbols. Thecase of colonial Manchuria, therefore, illustrates the tension between architectureand its visual representation and their fluid boundaries and interchangeability.. 6. YANG YU, Urban Configuration and Transformation in Colonial Manchuria: Collaborations and Competitions Among Multi-Ethnic Communities, The 12th International Symposium on Architectural Interchanges in Asia: “Confluence of Architecture in the Age of Super Connectivity”, 2018.10, 本発表は、現在中国東北地方である旧満洲の都市空間の発展と変遷を取り上げ、 先行研究と異なるグローバルヒストリーの視点から20世紀前半の満洲地域の特徴と多様性を明らかにする。新たな文献と視覚資料を分析し、商業空間と住宅地における雑居する実態を指摘し、日本、中国、そしてロシアの間の複雑な利益関係、また社会階級がどのような空間に影響を与えたかを動態的に再考する。このように、地域における植民地支配 の実態を把握することが可能になった。. Membership in Academic Society Architectural Institute of Japan AAS CAA Japanese Association of Modern East Asian History Society of Urban and Territorial History Educational Educational Activities 2018 Spring: Academic English Writing Seminar: Abstract Workshop2019 Fall: Graduate Seminar Japanese Architecture; Introduction to Modern Japanese Society (JICA/co-teaching)2020 Spring: Special Issues in Modern Japanese Society (JICA/co-teaching)2020 Fall: Thesis Guidance Seminar (IMAP/co-teaching); Topics in Japanese Art and Architecture: Reading Workshop on Modern Japanese Spaces (IMAP); Introduction to Modern Japanese Society (JICA/co-teaching)2021 Spring: Special Issues in Modern Japanese Society (JICA/co-teaching); Research Resources and Methods (RRM) (IMAP/co-teaching)2021 Fall： Topics in Art and Architecture; Research Resources and Methods (RRM) (IMAP/co-teaching)2022 Spring: Meiji Culture & Space; Academic Writing and Reading; Research Resources and Methods (RRM) (IMAP/co-teaching); Special Issues in Modern Japanese Society (JICA/co-teaching) Unauthorized reprint of the contents of this database is prohibited. 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